How a composer looks at organization
作者:
Joel Chadabe,
期刊:
The Journal of the Acoustical Society of America
(AIP Available online 1976)
卷期:
Volume 60,
issue S1
页码: 93-94
ISSN:0001-4966
年代: 1976
DOI:10.1121/1.2003614
出版商: Acoustical Society of America
数据来源: AIP
摘要:
Two discrete levels represented one after another on a graph are normally considered to be connected by a vertical line which has no time value. But the realities of engineering teach us that any vertical line has a time value, no matter how short. If that graph is charting the sound from a single source, we may observe that even extremely dissimilar sounds are connected in a continuum; that they are not items that are arranged, but rather a continuous process of change. Changes may be periodic, transient or random, and they exist at different time scales from “audiotime” (changes in milleseconds) to “conscious time” (changes in seconds). These changes attribute to a sound's “meaning.” The problem for a composer of computer music is how to generate these changes meaningfully.
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