Percussion instruments of China and Indonesia
作者:
Thomas D. Rossing,
Richard Ross,
期刊:
The Journal of the Acoustical Society of America
(AIP Available online 1978)
卷期:
Volume 64,
issue S1
页码: 150-150
ISSN:0001-4966
年代: 1978
DOI:10.1121/1.2003905
出版商: Acoustical Society of America
数据来源: AIP
摘要:
Percussion instruments play a very important role in Oriental music. The gamelan or orchestra of Java or Bali, for example, includes several types of metallophones, gongs, cymbals and drums. We have studied the modes of vibration, timbre, and tunings of a number of these instruments, and we compare them with percussion instruments of Western origin. Although they show considerable variation in tuning, Indonesian instruments tend to follow one of two tonal systems, known as pélog and sléndro. Included in the orchestra which accompanies Chinese opera are gongs, drums, bells and cymbals. Gongs are frequently constructed so that they sound one pitch when struck, then rise or fall about a semitone, large gongs (hsiao‐lo) usually falling in pitch and small gongs (da‐lo) rising in pitch.
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