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1. |
SALVATION THROUGH DEATH: JACOPINO DEL CONTE'S ALTARPIECE IN THE ORATORY OF S. GIOVANNI DECOLLATO IN ROME |
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Art History,
Volume 6,
Issue 4,
1983,
Page 395-405
Jean S. Weisz,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00091.x
年代:1983
数据来源: WILEY
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2. |
THE BATTLE OF THE CICEROS: RICHARD WILSON AND THE POLITICS OF LANDSCAPE IN THE AGE OF JOHN WILKES |
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Art History,
Volume 6,
Issue 4,
1983,
Page 406-422
David H. Solkin,
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PDF (3733KB)
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00092.x
年代:1983
数据来源: WILEY
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3. |
THE PRIVATE COMEDY OF THOMAS ROWLANDSON |
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Art History,
Volume 6,
Issue 4,
1983,
Page 423-441
John Barrell,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00093.x
年代:1983
数据来源: WILEY
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4. |
VISUAL FACTS AND THE NINETEENTH‐CENTURY ART LECTURE |
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Art History,
Volume 6,
Issue 4,
1983,
Page 442-460
Trevor Fawcett,
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PDF (2168KB)
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00094.x
年代:1983
数据来源: WILEY
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5. |
THE ARTIST AS ANTHROPOLOGIST IN MID‐VICTORIAN ENGLAND: FRITH'SDERBY DAY, THERAILWAY STATIONAND THE NEW SCIENCE OF MANKIND |
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Art History,
Volume 6,
Issue 4,
1983,
Page 461-477
Mary C. Cowling,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00095.x
年代:1983
数据来源: WILEY
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6. |
HORSES OF INSTRUCTION |
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Art History,
Volume 6,
Issue 4,
1983,
Page 478-481
Edward Larrissy,
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摘要:
William Blake: His Art and Times(New Haven, Yale Center for British Art) byDavid Bindman, London: Thames&Hudson, 1982, 192 pp., 199 ills, 21 colour pls, £12.50Symbol and Truth in Blake's MythbyLeopold Damrosch, Jr, Princeton: Princeton University Press, 1980, 396 pp., 35 ills, £9.50 paperWilliam Blake's Theory of ArtbyMorris Eaves, Princeton: Princeton University Press, 1982, 219 pp., 3 ills, £13.90 cloth, £6.65 p
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00096.x
年代:1983
数据来源: WILEY
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7. |
ARCHITECTURE AS PUNISHMENT |
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Art History,
Volume 6,
Issue 4,
1983,
Page 481-484
Adrian Forty,
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摘要:
The Fabrication of Virtue. English Prison Architecture, 1750–1840byRobin Evans, Cambridge: Cambridge University Press, 1982, 464 pp., 218 ills, £37.50Order in Space and Society: Architectural Form and its Context in the Scottish Enlightenmented.Thomas A. Markus, Edinburgh: Mainstream Publishing Company (Edinburgh), 1982, 322 pp., 162 ills,
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00097.x
年代:1983
数据来源: WILEY
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8. |
THREE VERSIONS OF HISTORY |
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Art History,
Volume 6,
Issue 4,
1983,
Page 485-488
David Brown,
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摘要:
The Life and Art of James BarrybyWilliam L. Pressly, New Haven and London: Yale University Press, 1981, 320 pp., 149 ills, 8 colour pls, £30George Richmond. A Critical BiographybyRaymond Lister, London: Robin Garton, 1981, 181 pp., 69 ills, 2 colour pls, £35Turner and George IV in Edinburgh 1822(London, Tate Gallery) byGerald Finley, Tate Gallery and Edinburgh University Press, 1981, 86 pp. (text), 165 ills,
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00098.x
年代:1983
数据来源: WILEY
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9. |
ROBERT SMITHSON'S ‘LIQUIDATING INTELLECT’ |
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Art History,
Volume 6,
Issue 4,
1983,
Page 488-496
David Craven,
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摘要:
Robert Smithson: SculpturebyRobert Hobbs, with contributions byLawrence Alloway, John Coplans, andLucy R. Lippard, Ithaca and London: Cornell University Press, 1981, 261 pp., 241 ills, 30 colour pls, £2
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00099.x
年代:1983
数据来源: WILEY
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10. |
THE AVANT‐GARDIAN ANGELS |
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Art History,
Volume 6,
Issue 4,
1983,
Page 496-498
Margaret Iversen,
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摘要:
October, a periodical edited byRosalind KraussandAnnette Michelson, published quarterly by the MIT Press for the Institute for Architecture and Urban Studies
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1983.tb00100.x
年代:1983
数据来源: WILEY
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