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| 1. |
DAVID'S MARTYR‐PORTRAIT OF LE PELETIER DE SAINT‐FARGEAU AND THE CONUNDRUMS OF REVOLUTIONARY REPRESENTATION |
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Art History,
Volume 14,
Issue 4,
1991,
Page 459-487
Robert Simon,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00454.x
年代:1991
数据来源: WILEY
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| 2. |
HISTORICISM AND ‘HERITAGE’ IN THE LOUVRE, 1820–40: FROM THE MUSÉE CHARLES X TO THE GALERIE D'APOLLON |
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Art History,
Volume 14,
Issue 4,
1991,
Page 488-520
Marie‐Claude Chaudonneret,
Olga Grlic,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00455.x
年代:1991
数据来源: WILEY
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| 3. |
‘TWO LARGE EYEBROWSÀ L'ORIENTALE’: ETHNIC STEREOTYPING IN INGRES'SBARONNE DE ROTHSCHILD |
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Art History,
Volume 14,
Issue 4,
1991,
Page 521-539
Carol Ockman,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00456.x
年代:1991
数据来源: WILEY
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| 4. |
THE FIGURE OF VENUS: RHETORIC OF THE IDEAL AND THE SALON OF 1863 |
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Art History,
Volume 14,
Issue 4,
1991,
Page 540-570
Jennifer L. Shaw,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00457.x
年代:1991
数据来源: WILEY
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| 5. |
ANTI‐ACADEMICISM AND STATE POWER IN THE EARLY THIRD REPUBLIC |
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Art History,
Volume 14,
Issue 4,
1991,
Page 571-592
Michael R. Orwicz,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00458.x
年代:1991
数据来源: WILEY
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| 6. |
MAKING HAY WITH MONET: MONETS OF THE ′90s |
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Art History,
Volume 14,
Issue 4,
1991,
Page 593-599
Jon Kear,
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摘要:
Monet in the ′90s: The Series PaintingsbyPaul Hayes Tucker, Museum of Fine Arts, Boston, in association with Yale University Press, 1989, 307 pp., 96 colour plates, 109 b.&w. illus., £30.00Monet's Cathedral: Rouen 1892 — 1894byJoachim Pissarro, London: Pavilion Books Ltd., 1990, 96 pp., 38 colour plates,
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00459.x
年代:1991
数据来源: WILEY
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| 7. |
IMPRESSIONIST TECHNIQUES AND THE POLITICS OF SPONTANEITY |
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Art History,
Volume 14,
Issue 4,
1991,
Page 599-608
Anthea Callen,
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摘要:
Art in the Making: ImpressionismbyDavid Bomford, Jo Kirkby, John Leighton and Ashok Roy, with contributions byRaymond WhiteandLouise Williams, London: National Gallery Publications, 1990, 227 pp., 218 colour plates and 98 b.&w. illus., £14.9
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00460.x
年代:1991
数据来源: WILEY
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| 8. |
THE BODY IN QUESTION |
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Art History,
Volume 14,
Issue 4,
1991,
Page 608-613
Michael Hatt,
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摘要:
Marble Queens and Captives: Women in Nineteenth‐Century American SculpturebyJoy S. Kasson, New Haven and London: Yale University Press, 1990, 293 pp., 103 b.&w. illus., £30
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00461.x
年代:1991
数据来源: WILEY
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| 9. |
BEING THERE |
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Art History,
Volume 14,
Issue 4,
1991,
Page 613-616
Leah Kharibian,
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摘要:
The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth‐Century FrancebyNicholas Green, Manchester and New York: Manchester University Press, 1990, 238 pp., 31 b.&w. illus., £37
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00462.x
年代:1991
数据来源: WILEY
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| 10. |
THE SCIENCE OF AN ART HISTORIAN |
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Art History,
Volume 14,
Issue 4,
1991,
Page 617-619
Paul Hills,
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摘要:
The Science of Art. Optical Themes in Western Art from Brunelleschi to SeuratbyMartin Kemp, New Haven and London: Yale University Press, 1990, 375 pp., 16 col. plates, 553 b.&w. illus., £45.0
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00463.x
年代:1991
数据来源: WILEY
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