摘要:

It has become a cliché that Dada is “nihilistic”, “destructive”, “negative”. Such generalized descriptions trivialize the very specific and penetrating attack on post‐Renaissance Humanist culture undertaken by Dada and obscure the movement's positive aspirations. This article hopes to rectify this imbalance and falls into three sections: In the first part, the five main points of the Dada critique of culture will be enumerated and discussed; in the second part, the essential nature of the Dadaétat d'espritwill be described and the metaphysic implicit in several of the major Dadaist writers discussed; in the third part, the assumptions behind the production of Dada artefacts will be identified and their paradoxical status as the simultaneous embodiments of critique and remedy established. This article will move across national boundaries and between the literary and visual p

ISSN:0105-7510    

DOI:10.1111/j.1600-0730.1979.tb00539.x

出版商:Blackwell Publishing Ltd    

年代:1979

数据来源: WILEY

摘要:

La Princesse de Clèves est un récit doublement exposéà la magie du conte:1. Une analyse du récit selon le modèle élaboré par V. Propp dans saMorphologie du contepermet de constater qu'une structure‐clé du récit est analogue av). la structure des contes merveilleux. Relever cette structure, c'est rendre lisible l'histoire cachée de la princesse, histoire à laquelle s'est imposée le titreLe vol du portrait.2. Un examen des rapports de dépendance thématique et textuelle qui lient chacun des protagonistes à≤son≥ histoire, montre que leur cheminement diégétique est soumis àla contrainte de récits intercalésdont ils sont à la fois le narratair

ISSN:0105-7510    

DOI:10.1111/j.1600-0730.1979.tb00540.x

出版商:Blackwell Publishing Ltd    

年代:1979

数据来源: WILEY

摘要:

There is a marked tendency in critical comments on Hardy's prose work to subscribe to the view that his many fatal coincidences are contrived and therefore artistically unsatisfactory. In the opinion of the present writer such a view pays too much attention to the outline of the story as planned by Hardy and as paraphrased by the critic, and too little attention to the story itself. “The Grave by the Handpost” with its succession of incidents to thwart the course and aspirations of Luke Holway is here used to illustrate the point. the article demonstrates how, through a fusion of time‐levels, the reader is taken into a framework of symbolic meaning to participate in the universal conflict between harmony and disharmony, faith and despair, the Gospel story and its perversion, the familiar world of the Christmas singer and the alienation of the outcast. A story of life and death in which the incidents cease to exist as so many cases of the author's wilful planning to become resonant parts of a meaningfully integrated whole. the story, again, is intimately connected with Hardy's work as a whole. It provides a moving late Victorian expression of loss, made bitterly acute against an insistent evocation of harmony and

ISSN:0105-7510    

DOI:10.1111/j.1600-0730.1979.tb00541.x

出版商:Blackwell Publishing Ltd    

年代:1979

数据来源: WILEY

摘要:

Georg Büchner'sDantons Tod(1835), Ernst Toller'sMasse‐Mensch(1920), and Arthur Koestler'sDarkness at Noon(1941), works by political dissenters about revolution, portray a moderate rebel's victimization by extremist colleagues. Büchner's Danton, less politician than conscience‐ridden intellectual, suffers profound disillusionment from which he seeks escape in death. Toller's Woman too undergoes a crisis of conscience and doubt but emerges with her ideals intact and regards death as a private expiation of guilt. Koestler's Rubashov, plagued by conscience and incapable of self‐deception, discovers the “grammatical fiction,” i.e. his renascent ego, and also accepts death as penance. Their colleagues having subverted the humanistic aims of revolution, these rebels confront the “grässliche Fatalismus der Geschichte” (Büchner's phrase) to learn through awareness of personal guilt that paradox, contradictions, and agonizing alternatives pave the path of radical politics. Despite important differences in polemical thrust, all three works show that man's suffering tr

ISSN:0105-7510    

DOI:10.1111/j.1600-0730.1979.tb00542.x

出版商:Blackwell Publishing Ltd    

年代:1979

数据来源: WILEY

ISSN:0105-7510    

DOI:10.1111/j.1600-0730.1979.tb00543.x

出版商:Blackwell Publishing Ltd    

年代:1979

数据来源: WILEY

ISSN:0105-7510    

DOI:10.1111/j.1600-0730.1979.tb00544.x

出版商:Blackwell Publishing Ltd    

年代:1979

数据来源: WILEY

ISSN:0105-7510    

DOI:10.1111/j.1600-0730.1979.tb00545.x

出版商:Blackwell Publishing Ltd    

年代:1979

数据来源: WILEY