ISSN:0026-4326    

DOI:10.1111/j.1094-348X.1988.tb00749.x

出版商:Blackwell Publishing Ltd    

年代:1988

数据来源: WILEY

ISSN:0026-4326    

DOI:10.1111/j.1094-348X.1988.tb00750.x

出版商:Blackwell Publishing Ltd    

年代:1988

数据来源: WILEY

摘要:

Margaret J. Arnold. Third International Milton Symposium. “‘Our First Parents’ and Two Orpheus Operas.”Ilona Bell. “Milton's Dialogue With Petrarch.”Jack Dillard Ashley. “Fall and Ascent: Ficino, Divine Furor, and Milton.”Diana Treviño Benet. “The Escape from Rome: Milton and a Renaissance Genre.”Cedric C. Brown. “Milton, Horace, and Civilized Community.”Joan Heiges Blythe. “Albertano da Brescia's Prudentia and Milton's Good Women.”Alfredo Bonadeo. “Machiavelli's Prince and Milton's Samson Agonistes: Tyranny and Liberty in the Renaissance.”Sanford Budick. “‘Lycidas’, Ad Leonoram, and Ficino's ‘Third Essence’.”Marcello Capuzzo. “Milton and Sicily.”Stephen M. Buhler. “‘Regal sceptre shalt lay by’: Kingly States in Paradise Lost.”Margaret M. Byard. “‘Adventrous Song’: Milton and the Music of Rome.”Davy Carozza. “Milton and Michelangelo: Ascent to ‘Il Penseroso Lorenzo’.”A. M. Cinquemani. “Through Milan and the Pennine Alps.”Douglas Chambers. “Milton and the Vocabulary of Art Appreciation: The Artificer's Instructed Eye.”Liana Cheney, Barbara M. Miliaras. “Milton and Poussin: Parallel Lives.”James W. Conley. “Epic Dispositio: The Romance Structure in Tasso's Gerusalemme and Milton's Paradise Lost.”Thomas N. Corns. “John Milton, Italianate Humanist, Northern European Protestant, Englishman.”John W. Creaser. “Milton and the ‘overdated spheres’.”Dennis Danielson. “Through the Telescope of Typology: What Adam Should Have Done.”H. Neville Davies. “Milton and the Art of Cranking.”M. J. Doherty. “Ezekiel's Voice, the Genius of the Shore, and Milton's Prophetic Exile, or the Merkahvah in ‘Lycidas.’”John G. Demaray. “Beyond the Illimitable Ocean: Milton's Italy and the New Geographic World.”Jackie DiSalvo. “Gender and Liberal Political Theory inParadire Lost.”Daria Donnelly. “Ragges and Rhetoric: Milton's Struggle to Create a New Form for Martyrs in ‘On the Late Massacre in Piemont'.”Richard J. DuRocher. “‘So both ascend in the visions of God’: Milton, Dante, and the Purging of Adam's Sight.”Michael Donnelly. “‘Neque nos genus incultum’: The Italian Journey and Milton's Sense of Identity and Poetic Vocation.”Judith Dundas. “'The Great Architect': Milton's Version of theDeus Artifex.”Robert L. Entzminger. “The Politics of Love in Tasso'sAmintaand Milton'sComus.”Noam Flinker. “Canticles and the Mythology of Love in Milton and Cavalcanti.”Roy Eriksen. “God Enthroned: Expansion and Continuity in Ariosto, Tasso, and Milton.”John X. Evans. “The Leaves of Vallombrosa: Milton's Great‐Rooted Simile.”Sandy Feinstein. “The Devilish Comedy of Milton's Hell.”Coburn Freer. “Milton's Galileo: ‘famous writers’ and the Personal Turn.”Marshall Grossman. “Subsequent Precedence: Milton's Materialistic Reading of Ficino and Tasso.”Dustin Griffin. “Milton in Italy: The Making of a Man of Letters?“Christopher Grose. “Another ‘Other Eden': Florence and Milton's Belated Youth.”Estelle Haan. “Milton and Manso: Some ‘Written Encomiums'.”John K. Hale. “The Polyglot Poet and the Italian Journey.”Thomas Healy. “Milton's Visit to the English College, Rome.”Wyman H. Herendeen. “Milton and Machiavelli: The Historical Revolution and Protestant Poetics.”Judith S. Herz. “‘For whom this glorious sight?’: Dante, Milton, and the Galileo Question.”Charles A. Huttar. “Vallombrosa Revisited.”Jane Hiles. “The Journey from Light: Milton and Seventeenth‐Century Liberation Theology.”Elizabeth K. Hill. “WhyAlcestis?“Michael Hollington. “Milton, Salvator Rosa, and Baroque Representations of Battle.”Lee M. Johnson. “Milton and the Divine Proportion.”Peter Lindenbaum. “Milton and Venice.”Carolynn Lund. “Milton and the Generation of the Authoritative Word.”Diane McColley. “Milton and the San Marco Creation Mosaics.”Polly Mander. “The Music ofL'AllegroandIl Penseroso.”Roberta C. Martin. “Eve and the Maternal Subtext:Paradise Lost, Book 4.”Leo Miller. “Lexicographer Milton Leads Us to Recover His Unknown Works.”Catalina Montes. “Mansusand the Literary Background of the Man to Whom It was Dedicated.”Mineo Moritani. “When Did Milton Know of Diodati's Death.”June K. Morris. “Iconology and Typology inParadise Lost11 and 12: Their Interrelation with Sistine Chapel Frescos.”John R. Mulder. “Shades and Substance.”Paul A. Parrish. “Humanism and the Papacy: Milton, Crashaw, and Italy.”Anna K. Nardo. “Milton and the Academic Sonnet.”Michael O'Connell. “Milton and the Art of Italy: A Revisionist View.”Hanna Ruth Pór. “The Hairy Sides Metaphor: ‘Shir ha‐Shirim'— The Song of Songs — andParadise Lost.”Carter Revard. “The Biblical Key to that Lycidean Door: Tabernacle, Temple, and Church.”W. J. Readings. “Milton's Chauvinism: Nations, Churches, Gardens, Texts.”David Reid. “Milton and Tasso on How One Sees Oneself.”Stella P. Revard. “Milton, Chiabrera, and the Pindaric Ode.”Maren‐Sofie Røstvig. “A Question of Unity: The Two Structures ofParadise Lost.”Charles S. Ross. “Boiardo's Fraternal Strife and the Oppositional Mode ofParadise Regain'd.”Hiroko Sano. “Milton'sCarpe diem: An Interpretation of Sonnet 20.”Donald E. Sears. “La Tina, Latim: A New Reading.”Jonathan Sawday. “Milton's Dreams of Identity.”Michael C. Schoenfeldt. “Among Unequals What Society?: Courtesy and Christian Humility inParadise Lost.”Susan Field Senneff. “Lucas Holstenius and His English Friends.”Louise Simons. “Reflection to Refraction: Unity and Rebellion inParadzie Lost.”John T. Shawcross. “Milton in Italy in the Eighteenth Century, and Especially His Presence in the Work of William Parsons.”William Shullenberger. “‘Imprimatur’: The Fate of Davanzati.”James H. Sims. “Angelica and Angelic Eve: Echoes ofOrlad FuriosoinParadise LostandParadise Regained.”Paul G. Stanwood. “Milton and Earlier Seventeenth‐Century Opera.”Elizabeth Skerpan. “TheVirtùof ‘Public Men': Milton and Machiavelli, 1651–1660.”Kay Stanton. “From Italian Lady to English Saint: The Women of Milton's Sonnets.”Ernest W. Sullivan, II. “Medina's Original Drawings for the 1688 Illustrated Edition ofPardise Lost: A Fortunate Fall Regained.”Mindele Treip. “'Celestial Patronage':Paradise Lostand Allegorical Ceiling Cycles of the 1630s in Italy and England.”Margo Swiss. “Lacrimae Christi: The Theology of Tears in Milton's ‘Lycidas’ and Donne's Sermon 13, ‘Jesus Wept’ (Whitehall, Lent [1622–231)“Gordon Teskey. “Mihi plaudam:

ISSN:0026-4326    

DOI:10.1111/j.1094-348X.1988.tb00751.x

出版商:Blackwell Publishing Ltd    

年代:1988

数据来源: WILEY

ISSN:0026-4326    

DOI:10.1111/j.1094-348X.1988.tb00752.x

出版商:Blackwell Publishing Ltd    

年代:1988

数据来源: WILEY