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| 1. |
‘TO UNDERSTAND ULTIMATE THINGS AND ENTER SECRET PLACES’: EKPHRASIS AND ART IN BYZANTIUM |
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Art History,
Volume 14,
Issue 1,
1991,
Page 1-17
Liz James,
Ruth Webb,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00420.x
年代:1991
数据来源: WILEY
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| 2. |
THE KEYS OF THE KINGDOM OF HEAVEN: ECCLESIASTICAL AUTHORITY AND HIERARCHY IN THE BEAUNE ALTARPIECE |
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Art History,
Volume 14,
Issue 1,
1991,
Page 18-50
Janey L. Levy,
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PDF (7492KB)
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00421.x
年代:1991
数据来源: WILEY
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| 3. |
THE DILEMMA OF THE ARTIST IN MILLAIS'SLORENZO AND ISABELLA: PHRENOLOGY, THE GAZE AND THE SOCIAL DISCOURSE |
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Art History,
Volume 14,
Issue 1,
1991,
Page 51-66
Julie F. Codell,
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PDF (2466KB)
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00422.x
年代:1991
数据来源: WILEY
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| 4. |
DISJUNCTURE ON THE LEFT: PROUDHON, COURBET AND THE ANTWERP CONGRESS OF 1861 |
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Art History,
Volume 14,
Issue 1,
1991,
Page 67-91
Paul B. Crapo,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00423.x
年代:1991
数据来源: WILEY
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| 5. |
‘IT IS NOT GOING TO BE EASY TO LOOK INTO THEIR EYES’: PRIVILEGE OF PERCEPTION INLET US NOW PRAISE FAMOUS MEN |
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Art History,
Volume 14,
Issue 1,
1991,
Page 92-115
Margaret Olin,
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ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00424.x
年代:1991
数据来源: WILEY
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| 6. |
COMPELLING ACTS, HAUNTING CONVICTIONS |
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Art History,
Volume 14,
Issue 1,
1991,
Page 116-122
Stephen Melville,
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摘要:
Courbet's RealismbyMichael Fried, Chicago and London: The University of Chicago Press, 1990, 378 pp., 16 colour plates, 115 b.&w. illus., £24.9
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00425.x
年代:1991
数据来源: WILEY
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| 7. |
BACK TO THE FUTURE: ART NOUVEAU IN FIN‐DE‐SIECLE FRANCE |
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Art History,
Volume 14,
Issue 1,
1991,
Page 122-126
Ruth Harris,
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摘要:
Art Nouveau in Fin‐de‐Siècle France: Politics, Psychology and StylebyDebora L. Silverman, Berkeley and London: California University Press, 1989, 415 pp., 15 colour plates, 73 b.&w. illus.,
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00426.x
年代:1991
数据来源: WILEY
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| 8. |
CLUTCHING FALSE GODS |
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Art History,
Volume 14,
Issue 1,
1991,
Page 126-129
Paul Holberton,
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摘要:
Giorgione'sTempest: Interpreting the Hidden SubjectbySalvatore Settis, translated by Ellen Bianchini, Cambridge, Polity Press, 189 pp., 69 b.&w. illus., £25.0
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00427.x
年代:1991
数据来源: WILEY
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| 9. |
ALBERT PINKHAM RYDER: A KINDER, GENTLER PAINTER? |
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Art History,
Volume 14,
Issue 1,
1991,
Page 129-135
Eric M. Rosenberg,
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摘要:
Albert Pinkham RyderbyElizabeth Broun, with catalogue byEleanor L. Jones, Matthew J. W. Drutt, Sheri L. Bernstein and Elizabeth Broun, Washington, DC: Smithsonian Institution Press, 1989, 344 pp., 50 colour plates, 277 b.&w. illus., $55 hardback, $29.95 paperbackAlbert Pinkham Ryder Painter of DreamsbyWilliam Innes Homer and Lloyd Goodrich, New York: Harry N. Abrams, Inc., 1989, 256 pp., 65 colour plates, 106 b.&w. illus, £32.0
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00428.x
年代:1991
数据来源: WILEY
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| 10. |
‘SITUATIONS’: TALES OF TINY EPIPHANIES AND RADIANT TRANSGRESSIONS |
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Art History,
Volume 14,
Issue 1,
1991,
Page 136-142
Irit Rogoff,
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摘要:
Lipstick Traces — A Secret History of the 20th CenturybyGreil Marcus, Cambridge, Mass.: Harvard University Press, and London: Secker and Warburg, 496 pp., 80 illus., £31
ISSN:0141-6790
DOI:10.1111/j.1467-8365.1991.tb00429.x
年代:1991
数据来源: WILEY
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Volume 14 issue 1