ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00511.x

年代:1993

数据来源: WILEY

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00512.x

年代:1993

数据来源: WILEY

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00513.x

年代:1993

数据来源: WILEY

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00514.x

年代:1993

数据来源: WILEY

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00515.x

年代:1993

数据来源: WILEY

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00516.x

年代:1993

数据来源: WILEY

摘要:

The Isenheim Altarpiece: God's Medicine and the Painter's VisionbyAndrée Hayum, Princeton, New Jersey and Oxford: Princeton University Press, 1989, 195 pp., 8 col. plates, 84 b.&w. illus., £22.50The Devil at Isenheim: Reflections of Popular Belief in Grünewald's AltarpiecebyRuth Melinkoff, California Studies in the History of Art, Discovery Series 1, Berkeley, Los Angeles, London: University of California Press, xv + 109 pp., 36 col. plates, 16 b.&w. textual illus., £3

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00517.x

年代:1993

数据来源: WILEY

摘要:

The Divided Heritage: Themes and Problems in German Modernismedited byIrit Rogoff, Cambridge: Cambridge University Press, 1991, 390 pp., 143 b.&w. illus., £45.00German Expressionism. Primitivism and ModernitybyJill Lloyd, New Haven and London: Yale University Press, 1991, 272 pp., 50 col. plates, 271 b.&w. illus., £40.

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00518.x

年代:1993

数据来源: WILEY

摘要:

‘Degenerate Art’: The Fate of the Avant‐Garde in Nazi GermanybyStephanie Barron, with contributions byPeter Guenther, Andreas Hüneke, Annegret Janda, et al., exh. cat., Los Angeles: Los Angeles County Museum of Art, and New York: Harry N. Abrams, Inc., 1991, 423 pp., 586 b.&w. illus., 164 col. plates, £55.00Georg Kolbe — Leben und Werk. Mit dem Katalog der Kolbe‐Plastiken im Georg‐Kolbe‐MuseumbyUrsel Berger, Berlin: Georg‐Kolbe‐Stiftung and Gebr. Mann Verlag, 1990, 430 pp., 300 monochrome illus., £28.00Will Lammert (1892–1957): Plastik und ZeichnungenbyLudwig Horst‐Jörg(ed.), with contributions byAngela GrützandMarlies Lammert, exh. cat., Berlin (East): Akademie der Künste zu Berlin, 1992, 132 pp., 126 b.&w. illus., pbk. DM 25,‐Käthe Kollwitz: Druckgraphik, Handzeichnungen, PlastikbyHerwig Guratzsch(ed.), with contributions byKarl Arndt, Werner TimmandAlexandra von dem Knesebeck, exh. cat., Stuttgart: Verlag Gerd Hatje, 1990, 256 pp., 186 b.&w. illus., 14 col. plates, pbk. £25.00Die Kunst LehmbrucksbyDietrich Schubert, Worms: Wernersche Verlagsgesellschaft, and Dresden: Verlag der Kunst, 1990 (rev. and enl. 2nd ed., 1st ed. 1981), 530 pp., 267 b.&w. illus., 16 col. plates, DM 96,‐Expressionismus und Exil. Die Sammlung Ludwig und Rosy Fischer, Frankfurt am MainbyGeorg Heuberger(ed.), with contributions byLjuba Berankova, Wolf‐Dieter Dube, Cordula Frowein, et al., exh. cat., Munich: Prestel‐Verlag, distributed by Thames and Hudson, London, 1990, 188 pp., 87 b.&w. illus., 60 col. plates, DM 98,‐Ernst Barlach/Käthe Kollwitz: Berührungen, Grenzen, GegenbilderbyElmar Jansen, Berlin: Gebr. Mann Verlag, 1989, 288 pp., 64 b.&w. illus., DM 38,‐Gerhard Marcks 1889–1981 RetrospektivebyMartina Rudloff(ed.), with contributions byUrsel Berger, Klaus Weber, Christian Tümpel, et al., exh. cat., Munich: Hirmer‐Verlag, and Bremen: Gerhard Marcks‐Stiftung, 1989, 387 pp., 350 monochrome illus., 47 col. plates, £35.00Ludwig Gies 1889–1966byBernd Ernsting(ed.), exh. cat., Leverkusen: Städtisches Museum Leverkusen, Schloß Morsbroich, 1990, 245 pp., 262 b.&w. illus., 33 col. plates, pbk. DM 35,‐Deutsche Bildhauer 1900–1945 EntartetbyChristian Tümpel(ed.), in collaboration withArie Hartog, Liesbeth Jans, Peter van der Coelen, et ad., exh. cat., Zwolle: Waanders Verlag, 1992 (German ed.), 264 pp., 292 b.&w. illus., 16 col. plates, hdbk. DM 68,‐, pbk. DM 38,‐Domesticity and Dissent: The Role of Women Artists in Germany 1918 to 1938byAmanda Wadsley(ed.), with contributions byMartin Davies, Marsha Meskimmon, exh. cat., Leicester: Leicestershire Museums, Arts and Records S

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00519.x

年代:1993

数据来源: WILEY

摘要:

The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract PaintingbyMark A. Cheetham, Cambridge: Cambridge University Press, 1991, 194 pp., 16 b.&w. illus., £27.5

ISSN:0141-6790    

DOI:10.1111/j.1467-8365.1993.tb00520.x

年代:1993

数据来源: WILEY