ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01028.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01029.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01030.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01031.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

摘要:

ABSTRACTTeen Tokyo, a 3,000‐square‐foot, $1‐million long‐term exhibition at The Children's Museum, Boston, opened in 1992. It was developed to complement the museum's permanent Japanese House exhibition and to further its commitment to teaching about cultural differences and similarities. Designed primarily, but not exclusively, for youngsters aged 10 to 15 years, it is about growing up in contemporary Japan and the international culture of youth. An international team of developers, designers, and consultants spent five years preparing and funding the exhibition, using formative evaluation throughout. The project also included publication of a 50‐page catalogue/curric

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01032.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

摘要:

ABSTRACTOur certainty about the definition of museums is disappearing and with it goes our assurance about where we are and what we are becoming. Observing visitors' use of the United States Holocaust Memorial Museum could cause us to change our understanding about how people use and act in museums. Further boundaries are blurring as the native communities worldwide ask museum personnel to change their methods of collections care and alter rules of accessioned objects' use. Without acknowledging it, museum personnel are becoming more comfortable with reproductions and purposebuilt material. Technology is making us a “paperless” society. Our need for and understanding of “authenticity” is changing, and we no longer rely purely on our objects to define our work. Are we destroying museums, changing with the times, or creating some new and potentially more vibrant and useful institutions? Can a new realignment and new definition of our institutions help us to create a more civil society? Do we wish to continue on th

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01033.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

摘要:

ABSTRACTThe “Wondrous Head of Roscrea,” a wooden head that combines Celtic and Maori features, was accepted by a number of professionals, including the author, as an authentic Irish sculpture. An initial investigation provided much supporting evidence, save for one detail—the date of an auction. Once that was supplied, the whole story collapsed. Whatever the faker's intention, he never intended to foolus.We fooled ours

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01034.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01035.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01036.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY

摘要:

Book reviewed in this article:Museums and the First World War: A Social HistoryBy Gaynor Kavanagh. London and New York: Leicester University Press, 1994.Art Museums and the Price of Success: An International Comparison:The United States, the United Kingdom and the Netherlands, with a Contribution Giving the German Perspective Edited by Truus Gubbels and Annemoon van Hemel. Amsterdam, The Netherlands: Boekmanstichting, 1993.

ISSN:0011-3069    

DOI:10.1111/j.2151-6952.1995.tb01037.x

出版商:Blackwell Publishing Ltd    

年代:1995

数据来源: WILEY