A survey of literature in dance and aesthetics fmds eight recurring fundamental components which form a concrete framework for the dance composition. These are (a) content, (b) the raw material of movement, (c) movement vocabulary, (d) process, (e) form, (f) performer and (g) production accessories, resulting in (h) expression. In addition, central to the art of dance is its unique medium of expression, the human body through which all flows. The interaction and interrelation of these components produces an integrated gestalt which becomes the dance. Awareness of the potential and diversity within each area and skill in the manipulation of these constitutes the craft of choreography. From this underlying aesthetic theory emerges a model which is a pragmatic and firm foundation for thorough analysis of a dance. Its application serves to increase the understanding of the complex process of choreography and therefore is useful to historian, scholar, choreographer, critic, and student.