Myth and Anti‐Myth in the First Tetralogy
作者:
Clayton G. MacKenzie,
期刊:
Orbis Litterarum
(WILEY Available online 1987)
卷期:
Volume 42,
issue 1
页码: 1-26
ISSN:0105-7510
年代: 1987
DOI:10.1111/j.1600-0730.1987.tb00559.x
出版商: Blackwell Publishing Ltd
数据来源: WILEY
摘要:
SummaryThe plays of the First Tetralogy are experimental in so far as Shakespeare manipulates, with varying success, a wide range of mythically propertied material. These plays, from a mythological point of view, do not stand as remarkable achievements of coherence or vision, but they do reveal a double potential. Firstly, the meaning of some of Shakespeare's imagery and allusion hinges on a mechanism of “two‐way” significance in which a single figure assumes competing connotations. Secondly, these differing interpretations appear to fall into two well‐defined, though not unrelated, mythological schemes. The English myth conceives cf a paradisial England, free of civil war and committed to foreign conquest; the anti‐myth describes an England torn asunder by internal strife and lacking in the heroic qualities of the English
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